I live in Bucha and work in Irpin. After the Russian occupation, these cities were destroyed. The military landscape has become my reality and routine. Every day I see people who are restoring their cities, their personal lives from the ruins and looking into the future. I created a series of photographs in a historical dialogue with images by Polish photographer Michael Nash, who captured how the photographer used a decorative backdrop to mask the ruins of Warsaw during World War II in 1945-1946. The heroes of my photographs are women who became victims of Russian aggression. The occupation continued in the spring, people who survived this tragic period did not notice how spring passed, how chestnuts and lilies of the valley bloomed, birds flew in. They were deprived not only of their homes, loved ones, work, health, but also part of their lives. IDPs from Donbass and Crimea have a second tragic spring. A stolen spring is a stolen life. Each photo is a personal tragedy, but it is also a life-affirming story of a survivor, a hope that Ukraine will rise from the ruins.

The photo series “The Language of Eyes” captures the unspoken emotions and untold stories of children through their powerful gazes. Each portrait reveals a unique expression—from silent anger and shy innocence to cultural pride and wide-eyed wonder. Despite their diverse appearances and backgrounds, all these children share one common thread: their eyes speak. Without saying a word, they reflect strength, vulnerability, curiosity, and heritage. This collection is not just a set of portraits—it is a visual narrative where every look tells a story, felt more than heard.

As a portrait photographer living and working in Iran, I have always faced the challenge of portraying women’s identity and emotions within the boundaries of mandatory dress codes. This project is the result of my effort to reflect that reality — where the shawl, beyond being a social obligation, becomes part of the composition and my visual language.My goal was for each image to be more than just a portrait: to offer a glimpse into the subject’s character and inner world, even when part of her appearance remains hidden. It was important for me to show that even within these limitations, it is still possible to capture and convey true femininity, strength, and authentic identity.This series seeks to guide the viewer’s gaze beyond the covering — toward the eyes, expressions, and genuine human moments; to that place where boundaries fade, and something deeper rooted in emotion and presence is revealed.

At Karneval der Kulturen 2025 in Berlin, faces from countless cultures fill the streets—dancing, singing, celebrating difference as a value, not a division. In a world weighed down by crisis, the carnival offers a light moment—but not an empty one. It's rich with meaning. Costumes, music, rhythm, and diverse faces all speak one clear truth: diversity is not a threat, but life itself. The image goes beyond celebration; it touches a deep human need—to be seen, accepted, and welcomed as we are.

An excerpt of an ongoing series focusing on a lone figure against the backdrop of the city

Given that I was born in 1998 and can be said to be from Generation Z, my behavior and lifestyle are very similar to those of Generation Z children and I understand them more. For example, I am not satisfied with working in an office with a normal salary. My sleep and wake-up schedule and my life schedule are not like my parents' life schedule, where I have to go to bed at a certain time or go to work early in the morning. I spend a lot of time having fun and traveling and I am not always thinking about saving money. This is a characteristic of Generation Z teenagers in Iran. But the worn-out lifestyle in Iran contradicts this and teenagers are trying to dominate their parents with this thinking. This generation is very advanced and intelligent. It does not care about the margins and seeks a peaceful life. This oppression of Generation Z children forced me to show their words visually. To show that they are intelligent, they are trying, they know their lessons before the teacher says them and they can cause change and progress in society. Or their clothing style and type are different from the styles of previous generations (for example: they may wear less hijab, or wear torn pants, or wear non-Iranian clothes.) Although living with the Internet has faced them with problems such as physical and skeletal problems, psychological problems, depression, and loneliness, they are always trying to prove themselves; whether to their family or to the government. They sometimes face failure and become depressed for some reason. But they do not lose hope.

My photograms (Rayo-graphs) reimagine the beauty of geometric forms through the innovative uses of light. I blend modern design, classical aesthetics and contemporary influence to create thought-provoking visual art that challenges perceptions. By merging the ordinary with the extraordinary, my work invites viewers to reexamine their surrounding and discover hidden depths. Through the process of creating photograms, I transform mundane details into symbols of beauty and significance.

Emotional Metadata is a series of fine art photography projects which are an intimate exploration in expressing the world not as it is seen, but as it’s deeply felt.These works are a visual response to the philosopher Friedrich Netzsche’s concept of Amor Fati.Translated as the "love of one's fate". An attitude in which one sees everything that happens in one's life, including suffering and loss, as good or, at the very least, necessary.  Conceptually I take existing images of ‘perceived realities’ and overlay a second reality representing the hand of fate, metaphorically time travelling to creating new unimaginable future landscapes.

"Dreamtime" is my ongoing 2017-present collection of dreamlike underwater images that are meant to evoke feelings of sublime peace (that fine line where the conscious and subconscious meet), and the creative chaotic (where energy is released that fine line is broken and the potential becomes kinetic). The sequence is meant to take the viewer from the surface of the conscious into the subconscious and back again, a descent into dark, sometimes nightmare-ish feelings, and reemergence into the light, much like a spiritual journey into the valley and back to the mountaintop.

Unknown places in dreams sometimes represent parts of our existence that we are not consciously aware of. These are undiscovered realms of our being.

This project is a visual narrative of the earthquake that struck Varzaghan, in East Azerbaijan Province of Iran, in August 2012. The disaster affected over 400 villages, with 60 of them completely destroyed. Despite public solidarity and governmental aid, anxiety, insecurity, and psychological distress have steadily increased among the survivors. My focus in this series is not solely on the moment of the earthquake, but on what followed — on the unseen challenges and the long, painful path to recovery. People who lost their loved ones and property have had to continue living under extremely difficult conditions. The early onset of cold weather and autumn rains have worsened their mental state. Many survivors, desperate for relief, sold their land and livestock to opportunistic dealers at low prices and migrated to cities. Others remain, waiting for further help or simply the next event. More than 3,000 aftershocks were recorded in the region following the main quake, amplifying fear and deepening distrust among the people. The aim of this project is to depict how the survivors redefine life amid hardship — how they endure the unendurable while preserving their moral values, health, and basic needs. This body of work is a tribute to the strength and resilience of those who continue to live in conditions many of us could hardly bear.

This is the story of a group of young Iranian boys under the age of 16. They have big dreams of becoming boxers. Most of the boys have dropped out of school and live lives full of uncertainty and instability. They have left school, work during the day, and dedicate all their time after work to boxing and nothing else. They work hard to fulfill their dreams. Some of them have family support, but most do not. Soleiman and Mohammad Ali are two of them. (Last year, Soleiman received a full scholarship from one of the largest Kickboxing institutions, but his father didn’t agree due to the family’s financial struggles.) Through boxing, they overcome their fears, though those fears remain with them after the fight ends. They believe that boxing is an opportunity to escape a hopeless future. In this project, I wanted to showcase the true essence of kickboxing in young people, which is dedication, passion, fighting spirit, and courage.

Gilles Deleuze and Michel Foucault both theorized about a society of control where individuals are constantly monitored. This concept is illustrated through the lens of a photographer who compares the confinement of horses in stables to the human experience of surveillance. The photographer questions whether animals, like humans, are subject to such control or if their innate ability to forget allows them to escape its grasp.

Pereh or gostar net fishing is one of the oldest methods of fishing for bony fish, including whitefish, on the southern shores of the Caspian Sea (Gilan and Mazandaran provinces), dating back several hundred years. In this method, a net head, usually 1,000 meters long and 7 to 10 meters high, is spread out in the sea in the shape of the English letter U by a large wooden boat, and the end of the net returns to the shore about a hundred meters from the starting point.The diameter of the holes in the gillnet is large enough to catch only adult fish and is therefore very effective in preserving aquatic resources and juvenile fish. (Between 30 and 40 mm). After a while, the net is pulled into the shore from its end by the power and jib of the tractor and is collected. As a result, the fish trapped inside the net are gradually guided towards the shore and collected by the fishermen.In ancient times, pulling and gathering the net was done by the fishermen's strength and with the help of animals, and the fishermen created a special cohesion and passion by singing local poems. But today this work is done by the mechanical power of tractors. I am trying to show a part of this traditional and endangered fishing with this photo collection.

Since the beginning of human creation, animals have played a significant role in people's lives. Domesticated animals such as donkeys and oxen have been used for plowing, farming, and carrying loads in daily life. Other domesticated animals like poultry, cows, and sheep have provided meat, skin, milk, and eggs for food and livelihood. In some cases, animals were also used for hunting wild animals and selling them in markets, or for entertaining people as a source of income. Although today the exploitation of animals through gambling and public animal fighting has become a profitable business, there are also people who keep domestic animals to cope with loneliness and as companions in their lives.

Drought is one of the most important and common disasters caused by Atmosphere/Climatic changes that has affected different countries around the world. NASA (The National Aeronautics and Space Administration) has announced that 45 countries will be exposed to drought in the next 30 years and it would probably last for the next 30 to 35 years. Due to its location in the northern hemisphere, Iran possess a hot and dry climate and is considered one of the least rainy countries in West Asia. The drought in the "Sistan and Baluchestan" province has caused the drying up of Hamon International Lake and Wetland, which is the third largest lake in Iran and the seventh international wetland in the world. Many reasons are associated to this catastrophe such as, the construction of various dams on the Hilmand River, the refuse of "Water Right" to "Hamun Lake" by the Afghan side and the instalation and overuse of pumps on the Afghan side of Hilmand River for agriculture applications, just to name a few. On the other hand, the reduction of seasonal rains due to global climate changes has led to the drying up of the "Hamun Lake". These days there are no signs of animal husbandry, agriculture, mat weaving and even fishing anymore, due to the harsh conditions in the region. Besides the shortage of water, the most concerning issue that threatens the livelihood of the local people is the "Haze" which is caused by extreme sand/dust storms. Haze is traditionally an atmospheric phenomenon in which dust, smoke, and other dry particulates suspended in air obscure visibility and the clarity of the sky. Due to the absence of water in base of the Wetlands, extreme sand/dust storms could emerge and as a result could generate incredible Sand Haze. These extreme sand storms which could be as fast as 90-120 Km per hour, have caused the burial of rural houses under sand, the death of livestock and ,numerous respiratory and heart diseases for the local people inhabiting the region. These sandstorms have also destroyed the fresh water wells for the few remaining farmlands which have barley survived the drought on the edge of Hamon International Wetland. In conclusion, drought has caused the migration of almost 50% of the people in this region and subsequently the escape of roughly 10,000 Iranian families from Zabul last year .

Between 2019 and 2022, tens of thousands of migratory birds died in a wetland in northern Iran for unknown reasons. In this series, we see the efforts of environmental forces to bury their bodies to prevent the spread of the disease.

This photo series, taken in the deserts of the UAE, highlights the vital role of preserving vegetation in arid environments. Drought-resistant plants help prevent soil erosion, stabilize sand movement, and act as natural barriers against airborne dust and particulate matter.In recent years, the UAE has launched several environmental initiatives — including the planting of native species and soil stabilization projects — aimed at improving air quality and combating desertification. These efforts are part of a broader response to the growing dust crisis across the Middle East, a challenge worsened by climate change and water scarcity.Through these images, I aim to draw attention to the ecological importance of desert vegetation and its role in supporting environmental stability and public health.

We live near Lake Urmia. Every year, at the end of the summer, my father would take us to Baner Sharafkhaneh for fun and swimming. And that was the only place my father would take us on trips but The news was short. "Lake Urmia, the second saline lake in the world, dried up". Without a doubt, this is the most disastrous environmental event in the history of Iran. There are 102 islands in the lake which serve as home to a wide variety of reptiles, mammals, and birds. The lake’s basin is the heart of the region’s agriculture and it has a population of 6.4 million. Almost 90% of the lake has dried up. Draught, digging too many wells, the increasing demand for agricultural water, building dams, climate change, and bad management have led to a dramatic decrease in the lake’s water level. The falling level of water in the lake has led to increasing salinity, lack of food sources for birds and animals, salt storms, the change in the region’s ecosystem, negative impact on agriculture, people’s life and health. The social and economic consequences of the tragedy are growing like a stain. The ports near the lake like Sharafkhane port and Golmankhane port get no visitors. There are no customers in the cafes. Motels and resorts have been deserted, the farms are infertile, the houses are deserted one by one, the schools are deserted with broken windows, soil and salt particles has caused respiratory diseases and the gardens near the lake have dried up. The youth immigrate to the city to afford a living.

The Mundari tribe of South Sudan, are known for their peculiar relationship with their cows. The relationship the Mundari man has with his cows is on a different basis which in turn nurtures the peculiar relationship between man and a cow, developing into a bond Being predominantly nomads, there is no need to worry about how cows will fit into a house as domestic pets.This bond seems to have risen from economical egocentric and chauvinist factors. A typical Mundari male hustles for more cattle to be able to marry.

**Statement** Title: Black Death: Life of Vanarch Mine Workers Vanarch Mine in Qom is one of the largest decorative stone mines in the Middle East. With an annual minimum production of 100,000 tons of manganese ore, it stands as the biggest manganese producer in Iran and the region. However, beyond being a vital resource for extracting valuable minerals, it also reflects the harsh realities faced by its workers. This collection of photographs portrays the daily lives of miners who work long hours under difficult and hazardous conditions, descending up to 340 meters underground. The miners at Vanarch face multiple challenges due to the dangerous and demanding nature of their job, affecting not only their well-being but also the lives of their families. The dust and pollution in their work environment force them to bathe in designated communal areas—a practice not only essential for maintaining hygiene but also providing mental relief, despite its far-from-ideal conditions. Driven by the need to earn a living and support their families, these workers labor far from home, carrying constant worries in their hearts. Many families remain anxious about their loved ones’ safety, especially as reports of workplace accidents in the mines grow more frequent. Each image tells a **story of sacrifice, hope, and struggle. Statistics show that occupational accidents in Iranian mines have led to countless tragedies, especially in recent years. Reports indicate that many miners have lost their lives or suffered severe injuries, including amputations. One such worker, Hossein, lost his leg in a mining accident and is now unemployed, struggling to provide for his four children. His story is just one example of the hardships and suffering endured by miners and their families. These numbers highlight not only the physical dangers of mining but also the resilience and sacrifices of these workers. These portraits serve as testimonies to the miners' lives, showcasing their determination, perseverance, and hope. Each miner carries a unique story, fighting their own battles. Behind every weary face, there is a life, a family, and a journey. Families wait anxiously for their loved ones to return, fearful of what each workday may bring. Through these images, we must remember that behind every extracted rock, there is a human life exposed to daily risks and dangers. Part of these resources exists because of the sacrifices of minersworkers who desperately need society’s support and attention. These photographs call upon us to acknowledge and understand the struggles of miners and their families, urging us to consider ways to improve their working and living conditions. As we observe these portraits, we should not forget that each miner, filled with dreams and determination, is striving to build a better life for themselves and their loved ones.

"Wings Over Concrete" is a project about the birds flying above us in busy cities are like performers in a unique dance that often goes unnoticed. While we might not always pay attention, these birds play a vital role in maintaining the balance between urban life and nature. Watching them soar around tall buildings creates a beautiful blend of nature and the man-made world.In the hustle and bustle of cities, birds bring color and life to the streets and buildings. Wings Over Concrete explores how birds adapt to city life and add beauty to urban environments. City streets aren’t just for people—they’ve become pathways for a variety of birds. Doves glide gracefully, gulls weave through crowds, and pigeons perform elegant aerial moves, all while adjusting to the challenges of living among concrete and steel. Their ability to thrive in cityscapes is truly remarkable.

It's with heavy hearts that we hear the news of Tigress Tibo's passing in Feb.,2025. Born wild in late 2009, Tibo was a pleasant surprise, a white tiger born from 2 unrelated orange tigers. And she was the only wild white tiger in the world until she gave birth in 2017 to her own white cub, now named Mishka a 3rd generation wild born, wild raised at Tiger Canyon, who now after her mother's passing has the claim of being the only wild white tiger in the world. In October 2023, Tigress Tibo, one of the world's only two remaining wild white tigers, gave birth to her last three cubs. And after five months, on March 1, 2024, I fortunately photographed Tigress Tibo with her three cubs in Tiger Canyon, South Africa.

Affection knows no species. It speaks in gestures, gazes, and movements - a quiet language that echoes through the natural world. This series explores moments of connection between animals, revealing how tenderness, play, trust, and intimacy are deeply embedded in non-human behavior. Two arctic foxes burst into a snowy clash, jaws open mid-motion - not in aggression, but in wild, instinctive play. Their interaction is energetic, physical, and yet deeply social, a rehearsal for survival rooted in trust. A mother Barbary macaque cradles her newborn in warm forest light, her eyes half-closed in what can only be called love - an emotion expressed through silence, stillness, and closeness. A bonded pair of Humboldt penguins, photographed in a controlled environment at the Berlin Zoo, bow gently toward one another in a moment of mutual recognition. Their ritual is understated and beautiful - a nonverbal reaffirmation of connection. Two puffins touch beaks on a windblown coastal ledge, their posture almost choreographed, communicating loyalty through stillness. And finally, two rabbits nibble at opposite ends of an autumn leaf - competition or cooperation, affection or mischief, perhaps all at once. These images were taken in a mix of wild and controlled environments, without baiting or human interference, always allowing the moment to unfold naturally. The goal of this series is not to romanticize nature, but to observe and translate a truth we often overlook: that animals, too, express connection in ways that go beyond survival. Through behavior that mirrors empathy, care, and curiosity, their interactions remind us that affection is not limited by language - it exists in motion, expression, and presence. In a world that often views the wild as only brutal or instinctive, The Language of Affection reframes the animal world through the lens of shared emotional truth. From the fierce to the tender, these images tell a story of connection without a single word spoken.

This series reveals the subtle power of an animal that has shaped the mythology and ecology of Europe for millennia. Through light, texture, and composition, the viewer is invited into fleeting moments of coexistence: to witness, without intruding. The bears appear in scenes both still and sudden. In one frame, it erupts into motion—water flying from its coat in silver arcs. In another a young bear’s curious eyes peek just above a tangle of wildflowers and tall blades - vibrant morning colors framing a gentle landscape. Through green grass, this royalty of the forest stands motionless, surveying its surroundings with calm assurance. A solitary bear walks through the fog-blanketed meadow, rendered timeless in black and white. Finally, we lock eyes with a bear—its innocent, curious gaze holding us in a fleeting moment of connection. Each photograph is an invitation to slow down and take in these brief reveries—sometimes delicate, sometimes bold. A shape in the mist. A ripple in the underbrush. A meeting of eyes across distance. The Eurasian Monarch invites us to witness a world where wildness endures, and remind us of the delicate balance between nature’s strength and its tenderness.

Shif Island is located in the south of Iran in the Persian Gulf, and it is home to about 800 families. The dominant language in this village is Arabic. The occupation of most of the people in the Island is fishing. Women in this area wear colorful or patterned chadors. My goal in this photography project was to depict the quality of living of Shif's women; women and girls who, despite all restrictions, were still pursuing their dreams. Most of these women and girls put themselves behind their chadors, during photography, because of their restrictions. And this situation for me was a reminder of their real life; women and girls with clothing full of colors and dreams hidden behind these chadors. In fact that was similar to their life itself and behind these colorful chadors, was hidden the truth of their lives, and I was trying to illustrate that hidden truth.

Veiled Realms is a tribute to the living heritage of Kuwait — a land where silence carries stories, and every figure echoes identity. From the eyes behind a veil to the stance of a desert horsewoman, from the hands drawing water to the still pride of tradition, each image unveils a hidden world shaped by strength, dignity, and ancestral memory. These photographs are not just portraits — they are fragments of a culture in motion.

In the northern part of Madrid (Spain), five enormous skyscrapers have been built in recent years, giving rise to a modern business district. We took these photos through the curved pergolas at their bases.

In abstract photography, the act of creating becomes a poetic gesture that transcends literal representation to explore the invisible, the suggested. The images do not aim to document but to evoke and invite interpretation. The process of capturing transforms into a dance between reality and imagination, between the visible and the felt.It is a pause that unfolds to remind us of the details we fail to see — in reflections, shadows, lines that do not tell a story but rather immerse us in a state of pure contemplation.MUSEO is an exercise in resistance. In the midst of the post-photography era and the turbulent times we live in, to stop and take a pause is to oppose, to refuse, and to slow down in order to look again and rethink our surroundings, ourselves, and, in doing so, our artistic practice.The images, captured in various high-traffic museographic spaces, are the result of waiting, patience, and observation — to find silence, order, and harmony.Pure in their photographic essence, they are born with the intention of creating a parenthesis — a space for rest and reflection.

Photography is my passion, especially modern style architecture. A lot of people criticizes new designs and concepts, but I'm trying to prove that contemporary structures are as beautiful and interesting as the old ones. Photos taken in Riyadh, Mississauga, Los Angeles, Tangier and Warsaw.

Set in the heart of Indonesia, this series celebrates the soulful rhythm of daily life — where tradition, childhood, and craftsmanship meet in harmony. From schoolyards under sacred temples to muddy rice fields turned football arenas, and from the quiet focus of batik artisans to family moments in rural homes — each image reflects the warmth, resilience, and human spirit found in ordinary Indonesian life. These are not just moments — they are echoes of culture, heritage, and hope.

Janusz Russek (Poland) is a circus clown with the stage name Mr. Chap. He has been working with Circus Humberto for the last three years. The collection of photographs tries to show what the average viewer does not see. Behind the scenes of the circus and private life in a small caravan. An attempt to show that a clown who makes everyone laugh during his performance has, like everyone else, his own worries that the viewer is not allowed to see.

Circus Humberto is the largest and most famous Czech circus. I have been working behind the scenes for over 15 years and I capture both common and unique moments from behind the scenes and everyday life around the circus.

A photos was taken from Wilayat Bediyah, located in the north of Sharqiya Region, about 195 km away from Muscat Governorate. This spectacular Wilayat embraces' many large Oasis and sand dunes that considered a vived and vital spot of camping in the Sultanates. It extend over approximately 10, 000 square kilometers

From beautiful lakes to majestic mountains, Iceland has so much to see that is worth documenting with done.However, I pointed the drone lens at the mouth of each river, and the magical patterns were fascinating. The pictures were photographed during the period from July 7-13, 2025 in Iceland.

Deep in a quiet forest, a galaxy flows in its universe. In the harmony of nature, I become a traveler wandering in another dimension. (Tottori Japan)

State of Mind: The Theater of the Modern Mind dissects the fragmented psyche of contemporary society, offering a visual and satirical exploration of mental states shaped by consumerism, technology and social pressures. Each piece transforms the human head into a canvas filled with disturbing objects, symbolizing corruption, fear, addiction and isolation. Familiar forms like legos, gears, and balloons metaphorically expose the commodification of thought, the mechanization of the self, and emotional desolation. This collection confronts viewers with sharp yet poetic depictions that reflect the collision between personal agency and social manipulation. Through bold minimalism, selected colors and different arrangement, the series invites introspection and emotional resonance. State of Mind blurs the line between surrealism and reality, provoking critical reflection on the forces that shape our consciousness.

These images are from a photograph I took of a pond reflection, which I then edited in Photoshop to transform into three different galaxies: one magical, one light, and the last, a water one. These edited images are my intention to demonstrate the connection between the tangible land we can touch and the vastness of space that exists far above us.